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analog (a collection of alternatives) by Jean Koning ANALOG–a collection of alternatives– is the first compilation solo album by Sinner Songwriter Jean Koning associated with Record Store Day. It was released on 20 April 2013 by Record Store Day Exclusive, under licence of Eden Records and Coffee And Cheesecake Records. It was produced by Jean Koning and Haruomi Hosono and compiled for sales in Japan only.  BACKGROUND: The Japanese album ANALOG–which consists of songs from Man Enough To Be A Woman , Wake Up In L.A. , the Japanese multi-artist compilation Bathtub Full Of Murder , the two BC exclusives Miniatures , and two non-album tracks " Language ", and " When Doves Cry ". “I was extremely excited about the whole Japanese ANALOG project, since the Japanese brought to me what both my record-companies could not: sound! Sound the way the songs were meant to be. The streaming services were still in their infancy; and they didn’t care about the sound-quality–t...

Celebratory 10th anniversary... This time not exclusively available for the seclusive Japan... So, the Japanese edition will be available again, as well as the anniversary limited edition vinyl picture disc... Can I be more excited? No, barely... Order the Picture Disc Version here>>> Order the Original Japanese Version here >>> Order the CD version here>>>

ANALOG–a collection of alternatives– is the first compilation solo album by Sinner Songwriter Jean Koning associated with Record Store Day. It was released on 20 April 2013 by Record Store Day Exclusive, under licence of Eden Records and Coffee And Cheesecake Records. It was produced by Jean Koning and Haruomi Hosono and compiled for sales in Japan only.  BACKGROUND: The Japanese album ANALOG–which consists of songs from Man Enough To Be A Woman , Wake Up In L.A. , the Japanese multi-artist compilation Bathtub Full Of Murder , the two BC exclusives Miniatures , and two non-album tracks " Language ", and " When Doves Cry ". “I was extremely excited about the whole Japanese ANALOG project, since the Japanese brought to me what both my record-companies could not: sound! Sound the way the songs were meant to be. The streaming services were still in their infancy; and they didn’t care about the sound-quality–they still don’t, mind you. So, what the Japanese did...